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Very nice shirt. Heavy weight which will be nice in the colder months.

Very flattering top. It fits great and looks stunning with black leggings and heels. Dressier than I thought but will work for any occasion

Very cute


Very nice top, love the colors, runs a little small.




















































































































A blouse is a woman's top cut from a woven fabric, usually easier through the body than a fitted tee and finished with some detail at the neck or the sleeve — a tie, a gather, a frill or a small collar. The word came into English from French in the early nineteenth century, when it described a loose working smock.
Shops file the same garment under several names. Listings for blouse tops for women, a top, a shirt or simply a woman's top often point at the same rack, and in British English the words blouse and top are used almost interchangeably. What ties them together is the woven cloth and a shape that begins at the shoulder rather than stretching over it.
The shortest answer is that a shirt is built to a formula and a blouse is not. A shirt comes from men's tailoring: a yoke across the back of the shoulders, a collar on a stand, a buttoned front from neck to hem and cuffs that fasten. Change one of those parts and most people would still call it a shirt, but it has started drifting toward blouse territory.
A blouse borrows whichever parts it wants and leaves the rest. It may pull on over the head, fasten with three buttons at the back of the neck, gather into a band under the bust or flare below the waist. That freedom is why the category covers so much more ground, and why stores shelve womens shirts and blouses together — the line between the two runs through the middle of the rack rather than between two racks.
The overlap has a name of its own. A button up blouse keeps the full-length placket of a shirt but softens everything around it: a lighter collar or none, a curved hem, a sleeve without a cuff. If you are choosing between a blouse shirt and a tailored shirt for the same outfit, a useful test is whether you want the hem tucked in all day. Shirts are cut for that; most blouses are cut to be worn out.
Almost any blouse can be sorted by three things: the neckline, the sleeve and the shape of the body below the bust.
At the neck, a V neck opens the collarbone, a split neck starts round and opens into a short slit at the center, and a high neck closes everything above the bust. Collared styles and tie necks sit somewhere between. On the arm the choice runs from short through three quarter to long, with shaped versions — puff, bell and flutter — adding volume at the shoulder or at the wrist.
Below the bust is where the silhouette is decided. A peplum blouse fits to the waist and then flares. A wrap blouse crosses at the front and ties or fastens at the side. A peasant blouse gathers at the neckline and falls loose, and a tunic blouse runs long enough to cover the hips.
Much of what gets sold as a designer blouse is one of these shapes in an unusual fabric or with an unusual trim. Most pretty blouses, likewise, owe their effect to one well-placed detail rather than several competing ones.
The one that puts the eye where you want it. A blouse shapes how a figure reads through two lines — the neckline and the hem — and getting those two right does more than any single cut. No top takes pounds off, and a label that promises to is worth doubting; what a blouse can do is steer attention.
Start at the neck. A V or split neckline draws a vertical line down from the face, which lengthens the neck and narrows the look of a full bust. A round or high neck adds width across the chest, which balances narrow shoulders or fuller hips. Trim follows the same logic: a frill or print concentrated at the shoulder widens the upper half, while detail kept close to the neckline holds the gaze near the face.
Then look at the hem, since that is where most beautiful blouses for ladies either work or fall short. A curved hem, longer at the back than the front, can be half-tucked at the front without the back riding up. A peplum marks a waist that is otherwise hard to see. A tunic length covers the hip entirely and pairs neatly with leggings or slim trousers.
None of this is a rule about body types. They are tools, and the nice blouses in anyone's wardrobe tend to be the ones where neckline and hem agree with each other.
Once the shape is settled, the setting narrows the choice further. For the office, work blouses lean on quieter prints and necklines that sit neatly under a jacket. For days off, casual blouses trade structure for ease and pair with jeans. For weddings and dinners, dressy blouses do the work of a dress with less commitment. Womens tops and blouses sit side by side in most shops, so the filter that helps most is the neckline you already know suits you.

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