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So pretty and feminine! I am not normally a purple girl, but this is beautiful.

Very nice top. Quality material, fits nice. Just as pictured.


Beautiful shirt, goes on every cruise with me. I wear it every white hot night. Well made and travels well

A wrap blouse is cut with two front panels that cross over each other instead of meeting at a placket. In a true wrap, the panels end in long ties: one passes through a small opening in the side seam, and the two are tied at the waist, at the side or behind the back. Untie them and the blouse opens flat, much like a robe.
A faux wrap, sometimes called a mock wrap, has the same crossover front but is sewn closed. It may have a decorative tie or a gathered side seam, but it pulls on over the head and never needs retying. Faux wraps are easier on busy mornings and stay put through a long day.
A surplice neckline describes only the top part of the look: the crossover V at the front, without the ties or the full wrap below it. Many blouses borrow this neckline and then finish with a straight or gathered hem, so the word is useful when a title mentions a crossover neck but no ties.
Shop titles use these names loosely. Photos of the side seam and the back usually reveal which kind a blouse is, since a true wrap shows its tie and the opening it passes through.
Wrap blouses suit a wide range of figures, which is a large part of their appeal. The diagonal line of the crossover runs from the shoulder toward the opposite hip, so the eye travels across the body instead of stopping at the bust or the middle. On an hourglass figure, the wrap follows the natural curve and marks the waist neatly.
On a fuller bust, the V neckline opens the chest and gives the top room to fit without pulling, and the depth can be adjusted by tying tighter or looser. On a straighter figure, the ties create a waistline where the body has little definition, and a bow at the side adds a little shape.
Where you tie also moves attention. A knot placed at the side rather than the center draws the eye off to one side, and long tails left hanging add a second vertical line. Both small choices change how the outfit reads without changing the fit. The V neck blouses page explores how the depth of a V changes a neckline.
A wrap depends on drape. The fabric has to fold over itself at the front, gather at the tie and fall smoothly from the knot, so stiff cloth fights the shape. Soft jersey is the most forgiving choice: it stretches a little, recovers well and stays in place without pins.
Crepe has a slightly grainy surface and a heavy, fluid fall, which gives a wrap a polished look for work and dinners. Chiffon and georgette make lighter, floaty wraps for warm days and occasions, usually with a lining or a camisole beneath the crossover. For that airy fabric on its own, see chiffon blouses.
Satin and silky fabrics give an evening sheen but slip more at the tie, so a double knot helps. A satin wrap suits weddings and dinners, and the dressy blouses page has more occasion ideas. Crisp poplin is the least suited to a true wrap, as it stands away from the body and creases at the knot, although it works for a faux wrap with a sewn front. Velvet makes a cozy winter wrap, heavy enough to hang straight.
The classic tie is at the side. Pass the inner tie through the opening in the side seam, bring the outer tie around to meet it and tie a simple bow just above the hip bone. A side bow keeps the waist defined and looks relaxed.
For a neater finish, tie behind the back. Cross the ties at the back, bring them around to the front and knot them at the side or the center. This uses up extra length and makes the wrap hold firmly, which is useful when the ties are long.
A double wrap works when the ties are very long: take them around the waist twice before knotting, so they form a narrow, belt-like band. For a clean look, a flat knot with the ends tucked under the band avoids a bow altogether. Shorter ties at the hem call for different knots, and the tie front blouses page covers those.
The most common complaint about a wrap is a neckline that slowly opens through the day. The fix usually starts at the waist: tie firmly first, then adjust the crossover at the front, since a loose knot lets the whole front slide.
A small safety pin or a tiny snap sewn on the inside of the crossover, level with the bust, holds the panels together without showing. A thin camisole beneath covers any gap that remains and makes a deeper V easy to wear at the office, where the work blouses page offers more options.
Finally, check the fit across the back. If the wrap pulls at the shoulders when you move, the front panels are being dragged apart, and a size up usually lets the crossover sit where it should.

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